- #CHANGE YOUR CHARACTER POSE IN ADOBE FUSE HOW TO#
- #CHANGE YOUR CHARACTER POSE IN ADOBE FUSE WINDOWS#
Is your sound centered in your nose? In your throat? Is it a chest-voice? Is this character missing teeth? Have too many teeth? Tongue too thick? Are you speaking through your cheeks? Is this character well-spoken? (Or trying to be well-spoken but failing miserably?) Does this character have a speech impediment like a modified Daffy Duck? Is your sound centered in the back of your throat, or under your tongue? When creating each new voice, consider where your sound is centered and where you’re projecting your performance. It will take you down an entirely different rabbit hole.
Practice making a hybrid of this voice with that ridiculous impersonation of your Uncle, or your bad impression of Jack Nicholson or Christopher Walken. Now’s your chance to waltz these voices out into the sunlight. I don’t know a soul who doesn’t speak for their cat, dog, or goldfish-especially if you’re a voiceover actor! This is usually a voice that stems from childhood, or a family character voice that’s been morphed, magnified, and manipulated a million ways to Sunday. Play with original voices you’ve been doing since childhood.
#CHANGE YOUR CHARACTER POSE IN ADOBE FUSE HOW TO#
Related How to Get Cast on an Animated Show, According to ‘Animaniacs’ Voice Actor Rob PaulsenĢ.
#CHANGE YOUR CHARACTER POSE IN ADOBE FUSE WINDOWS#
Then open the Libraries panel with Windows > Libraries. Launch Photoshop and create a new document. Regardless of how awkward or poor the impersonation might be, you’re likely to discover a character all your own. Hit the big Save to CC Libraries button at the top right of the interface. Try this: Take an impersonation of someone famous- even a bad impersonation-of Orson Welles or Jack Nicholson or Mae West and see where that takes you. For instance, the voice of Stimpy from “The Ren & Stimpy Show” is an exaggeration of Peter Lorre, rather than a direct impersonation. Many of the characters used in animation today are loose or distorted impersonations of old Hollywood stars or famous people. Begin with an impersonation of an impersonation.
With that in mind, here are five steps to discovering and creating original character voices.ġ. I suggest you begin by considering different voices you’ve probably been sitting on most of your life-those the broad public has yet to hear. This is, in part, what makes you valuable as a talent. Otherwise, these voice acting skills will atrophy. As a voice actor, you absolutely must continue to flex that character muscle with regularity. When it comes to animation and games-most often referred to as “interactive” voiceover-the producers who are most likely to hire you are after original character voices.